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I have a fascination for subcultures, specially those with a close-knit relationship with leftfield and challenging music, so music does take center stage here. Glad if it resonates with you in some way and you discover something new here, in which case you should explore more and support the artists.

Interview - Aidan Baker

"... For me, the best collaborations are those which go in unexpected directions, which expose me to new sounds and techniques, or take my music somewhere other than I would myself...this doesn't always happen, or it happens in degrees, but the simple process of working with someone else is (almost always) rewarding. "
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Nadja - Disrotted

Band: NADJA
Album: Split w/ Disrotted (2021)
Track: From the lips of a Ghost in the Shadow of a Unicorn's Dream (19:03)

bandcamp

Interview - Sens Dep

"... Arvo Pärt taught me about gateway drugs. Cormac McCarthy’s writing appeals to me in a similar way. On Pärt, his music is so evocative and yet with a veneer of simplicity. By simple, it’s not fucking simple at all! ..."
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Sens Dep - Lush Desolation

Band: SENS DEP
Album: Lush Desolation (2020)
Track: Will you + Come back for me (08:50)

bandcamp

Dakota Suite - Notes

Photo: Yasuyoshi Chiba

Dakota Suite & Vampillia

THE SEA IS NEVER FULL
The origin of this collaboration began two months prior to the Fukushima disaster in Japan. Dakota Suite had been touring Japan with their friends from the Japanese band Vampillia and had been in several coastal locations in Wakayama as well as places near to Fukushima. The tsunami was very upsetting for Chris Hooson and David Buxton from Dakota Suite who then set about making music to reflect this overwhelming sadness and loss for Japan. They approached Vampillia to work on these somber reflective songs for the sea.
This collaboration is highly recommended and in remembrance of the disaster that cost the life of over 18000 people which will be 10 years next 11th Mach, I couldn't think of a more fitting piece of music than my favorite track of the album "The sea is never full - Part 2". At 27 minutes it demands your full attention but the reward comes in bundles of honest emotion.
Posted: 18/01/2021

Dakota Suite - Vampilia - The Sea Is Never Full

Band: DAKOTA SUITE & VAMPILLIA
Album: The Sea is never full (2016)
Track: The Sea is never full (Part 2) (27:07)

bandcamp

Interview - Corecass

"... The biggest challenge was to play and record the church organ. I didn't do both before and it stressed me out a bit. I recorded the rest of the instruments in a studio which was new to me as well since I did all my other records at home before. "
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Corecass - Void

Band: CORECASS
Album: Void (2020)
Track: Void ii (06:59)

bandcamp

Interview - Robot Koch

"...The song "Epic" (Faith No More) blew my mind, visually and sonically. By the time the piano exploded in the video I knew I wanted to make music. So I started to learn the drums. I started out as a drummer in a Death Metal band and went on to play more indie and jazz-infused stuff in bands. I only then discovered DJ'ing via Hip Hop. From there, it was a short way to making my own beats and producing tracks."
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Robot Koch - Albatross

Band: ROBOT KOCH & IAN URBINA
Album: Albatross (2020)
Track: Too Much Blood (3:36)

bandcamp | The Outlaw Ocean project

Interview - Franck Vigroux

"... The most important is to have artistic ideas and desire then every project found itself is own place or not, but I want to keep reasonable and humble. There’s many artists I would like to work with but most of them are not musicians, music is only an half of my work."
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Franck Vigroux

Band: FRANCK VIGROUX
Album: Ballades sur lac Gelé (2020)
Track: Beyond the Black Hole (07:23)

bandcamp

Delmer Darion - Notes

Delmer Darion

"Electronic duo Delmer Darion have spent five years putting together their debut album, Morning Pageants. It's a hyper-literary account of the devil's death, detailed and engrossing. The concept was inspired by a line from Wallace Stevens's poem "Esthétique du Mal." Preferring to work from samples, which can be a nightmare to clear before a release, they instead recorded two albums' worth of material that they could then cut and mutate." The Fader
I just happen to hear a line from onetime MTV host Kurt Loder pondering the virtues of sampling in popular culture to underscore the action: “is it art or is it stealing?”. It was 1989.

Delmer Darion - 290 Recto

Band: DELMER DARION
Album: Morning Pageants (2020)
Track: 290 Recto (03:19)

bandcamp | practise music

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